Her first creation The Goldfish and the Inner Tube was an explosive exploration including sound, materials and bodies. For her first solo piece, fantasia, Childs choreographic research focuses on the body and its musicality, delving into the intimate layers of her physical and emotional memories triggered by the classical music she listened to as a child. 

Stepping into an empty space, a white room, she invokes, plays, dialogues, embodies and fights with these musical recollections, using color, to punctuate and organize them, in an abstract auto portrait. Her body, shifting from projection screen, to human figure, to animal-like creature, to musical instrument, or to simple vibration, takes on, conducts, and questions the notion of what is intimate and what is collective.