In Grand Écart, Kiyan Khoshoie reverts to the idiom of the one-man-show, stand-up comedy and solo performance. Located between dance and theatre, enthusiasm and sobering realization, this piece deals with physical boundaries, passion and creative leeway in artistic practice. In a lengthy, virtuoso and amusingly crafted stage version of a tracking shot, Kiyan Khoshoie examines his attitude toward his own profession on stage. A private, humorous and breath-taking insight into the life of a stage professional. The piece reminds us that dance, like any profession, is confronted with the difficulties of the professional world in general. A creative crisis staged with wonderfully comedic accents, which leaves us wanting more and more.