Geneva
Edition 2017
Edition 2017
In the run-up to this celebration of contemporary dance, which is held every two years in a different Swiss city, a jury comprising five leading figures from the world of dance has watched more than 140 productions over the last 12 months. The winning entries will be presented at 12 venues across Geneva, which have joined forces especially for the occasion through the creation of an association and a small team.
In doing so, they, alongside Reso – Dance Network Switzerland, provide a tangible demonstration of their commitment to the art of choreography and dance in Switzerland. The Swiss Dance Days, which are also open to the public, are aimed at professionals – journalists, festival directors, programmers – from both Switzerland and abroad.
La Ribot, Mona De Weerdt, Joëlle Smadja, Patrick Müller, Claude Ratzé
adc (Association pour la Danse Contemporaine), Festival Antigel, TU – Théâtre de l’Usine, Théâtre du Loup, Théâtre du Grütli, Théâtre du Galpon, Théâtre Forum Meyrin, Service culturel de Vernier und Reso - Tanznetzwerk Schweiz.
Théâtre Am Stram Gram, Théâtre Pitoëff, Salle du Faubourg, Palladium, Casino Théâtre, Point favre und Théâtre du Centre des arts de l’Ecole Internationale de Genève.
16.12.16, Le Courrier, La danse en effervescence, Cécile Dalla Torre PDF
16.12.16, Le Courrier, L’histoire continue de s’écrire, Cécile Dalla Torre PDF
22.01.17, Le Matin, La danse à dévorer du regard, Mireille Descombes PDF
25.01.2017, Les nouvelles.ch, La fluidité du mouvement, Vanesa Dacuña Rodriguez et Anastassia Issakova PDF
25.01.2017, Trajectoire.ch, Espace, chorés et 3D… signés Gilles Jobin PDF
30.01.2017, Tribune de Genève, Genève, plate-forme suisse du mouvement, Katia Berger PDF
1.02.17, Tribune de Genève, Genève, ville de danse !, Jean-François Mabut PDF
2.02.17, Tribune de Genève, Cindy Van Acker brise les digues, Katia Berger PDF
3.02.17, Le Temps, Le grand bal des chorégraphes, Alexandre Demidoff PDF
2.02.17, Le Temps, L’ode maritime sublime de Cindy Van Acker, Alexandre Demidoff PDF
3.02.17, Le Temps, Comment Genève s’est mise à chérir la danse, Alexandre Demidoff PDF
3.02.17, Le Monde, Montée de sève chorégraphique à Genève, Rosita Boisseau PDF
3.02.17, Tribune de Genève, Lea Moro dilate l’instant, Katia Berger PDF
3.02.17, Le Courrier, Gabor Varga. Fonceur sans borne, Cécile Dalla Torre PDF
4.02.17, Le Temps, Video, La danse contemporaine racontée en image, Alexandre Demidoff VIDEO
6.02.17, Tribune de Genève, Huit stations pour un chemin de croix érotique, Katia Berger PDF
7.02.17, Le Courrier, Danser la contestation, Cécile Dalla Torre PDF
6.02.17, SRF 2 Radio, Kultur Kompakt, Maya Künzler, ab Minute 5:26 PODCAST
21.02.17, Danser canal historique, Genève, capitale de danse, Gérard Mayen PDF
22.02.17, Suíça propõe programa de intercâmbio cultural com a América Latina - Cultura - Estadão, Helena Katz PDF
23.02.17, I/O Gazette, La Suisse prend position, Marie Sorbier PDF
6.03.17, ballroom, Voyage en Suisse PDF
7.03.17, SRF Kultur, Journalismus im Wandel - Traumberuf Kritikerin? Nein, danke., Julia Voegelin PODCAST
10.03.17, Magazin tanz, La Ribot & Fleischlin/Meser, Arnd Wesemann PDF
06.04.17, Revista Revol Brazil, Swiss Dance Days 2017, Maria Lavandera, VIDEO
01.05.17, Magazin tanz, Thomas Hauert, Lilo Weber PDF
Schick / Gremaud / Pavillon
La Ribot
Lea Moro
József Trefeli und Gábor Varga
Cindy Van Acker et le Ballet du Grand Théâtre de Genève
Foofwa d’Imobilité / Neopost Foofwa
Beatrice Fleischlin and Anja Meser
ZOO/Thomas Hauert
Kaori Ito / Himé
Jasmine Morand / Cie Prototype Status
Lucie Tuma
Anne Delahaye and Nicolas Leresche / Cie de Genève
Ruth Childs / Scarlett’s
Tabea Martin
Adina Secretan / La Section Lopez
Nicole Seiler
Rudi van der Merwe
In a meadow, three furies in sumptuous baroque dress advance towards the audience, who are able to observe their macabre dance from a safe distance. They think that the wooden fence which splits the meadow – the setting for this site-specific piece – affords them protection. So, how will they react when the dancers turn this landscape into a battlefield? Accompanied by the sound of cannon fire (live percussion provided by Béatrice Graf), Trophée is, in fact, a war play. Initially devised to be performed on a firing range, the great repository of Swiss mythology, this choreographical crusade addresses man and his need to demarcate, possess, tame and exploit nature. This incredible staging of man’s relationship with the world and his fellow humans is a rallying call to stop reducing Nature to nothing more than a vulgar trophy.
Rudi van der Merwe studied dance and drama in his native South Africa. In 2002, after graduating from Strasbourg University (modern literature and cinema studies), he took part in ex.e.r.ce, a training programme given under the direction of Mathilde Monnier in Montpellier. As well as dancing in works by Gilles Jobin and Cindy Van Acker, he set up his own company Skree Wolf (‘cry wolf’ in Afrikaans) in Geneva in 2010. He regularly performs at la Bâtie, the adc and the Festival Antigel.
Buzz Riot, 2016, 2 Performer, 10 x 10 m, 50 min
Conception Rudi van der Merwe und Béatrice Graf
Choreography Rudi van der Merwe
in collaboration with Susana Panadés Diaz, József Trefeli
Performers Claire-Marie Ricarte, József Trefeli, Rudi van der Merwe
Music Béatrice Graf
Collaboration stage design Victor Roy
Collaboration costumes Kata Tòth
Administration Laure Chapel
Production Skree Wolf
Coproduction Festival Antigel
Support Republik und Kanton Genf
Diffusion Gábor Varga, gabor.varga@gmail.com
Excursion to Genevan countryside, urators only
Geneva
Google Maps
Gregory Stauffer / Le cabinet des curiosités
Gilles Jobin