Berne
Edition 2026
Edition 2026
FUEGO CONTIGO
Joseph Baan
Discussion
Discussion
CurrantBoss
Tamzz Outshine
Mélissa Guex
Workshop
Jeremy Nedd
Baptiste Cazaux
Discussion
Discussion
Bast Hippocrate
Aya Metwalli | Nelly Hello | Sirens of Lesbos
Jolie Ngemi
Catol Teixeira
Discussion
Théâtre de l’extrême / Luana Volet
Théâtre de l’extrême / Luana Volet
DJ Angy Kumuli / DJ Pappi
DJ Apinti
Salons d’artistes – Day 1
Salons d’artistes – Day 2
Company MEK / Muhammed Kaltuk
Discussion
Trajal Harrell / Zürich Dance Ensemble
A choreography inspired by literature
A piece about courage
The power of change
Agency.
Trajal Harrell‘s group work «Tambourines» is inspired by Nathaniel Hawthorne’s novel «The Scarlet Letter». This literary classic tells the story of Hester Prynne, a 17th-century adulterous woman who is forced to wear a scarlet letter A on her chest as a symbol of shame. Divided into three acts – Fornication, Education, Celebration – Harrell’s piece traces the courage displayed by the novel’s heroine in impressive images. Dramaturgically, the piece does not follow the novel’s structure, but asks: what if the story had developed differently? If the character had been supported, not condemned? In «Tambourines», Harrell and the dancers of the Zürich Dance Ensemble have created an inspiring dance piece about courage, resistance and change. It can be read as being dedicated to all those women – in the past, but also the present – who are or were not allowed to make independent decisions about their bodies.
The American dancer and choreographer Trajal Harrell has been creating pieces for international dance and general theatres and museums for more than 20 years. His series of works «Twenty Looks or Paris is Burning at the Judson Church» laid the foundation for his international fame. Harrell was a resident director at the Zurich Schauspielhaus from 2019 to 2024 and is regularly invited to the leading international venues for dance and visual arts, presenting his works at the Centre Pompidou in Paris, the Museum of Modern Art in New York or the Singapore International Festival of Arts, among others. The unique style of Harrell’s works is marked by an unusual combination of different dance idioms, such as voguing, postmodern dance and butoh. Fragility and humour are the central aspects running through all his works. In 2024, he won the Silver Lion at the Biennale di Danza in Venice for his oeuvre.
The performance spaces and toilets at Vidmarhallen are accessible to wheelchair users and there are nearby, signposted parking spaces for visitors with reduced mobility.
Vidmar 1 has a hearing system that can be used with FM receivers with inductive neck loops, which are available at the box office. Headphones are also available.
A sign language interpreter will be present at this performance. She will also translate the introduction of the play into Swiss German sign language.
Thanks to a partnership with the Sinfonietta de Lausanne, six vibration vests are available for this performance. The vests convert music and sounds into perceptible vibrations. Built-in vibrotactile modules respond to different frequencies and intensities, allowing the rhythm, bass and certain sound structures to be felt physically. This creates a tactile musical experience. The vests are primarily intended for deaf and hard-of-hearing people and can be reserved free of charge.
German and English
Judson Church is Ringing in Harlem (Made-to-Measure) / Twenty Look or Paris is Burning at the Judson Church (M2M), 2012, 3 dancers, 65 min
The Return of La Argentina, 2015, solo, 30 min
Caen Amour, 2016, 4 dancers/performer, 60 min
Maggie the Cat, 2019, 10 dancers, 55 min
Dancer of the Year, 2019, solo, 55 min
The Köln Concert, 2020, 7 dancers, 50 min
Sister or He Buried the Body, 2021, solo, 25 min
Monkey Off My Back or The Cat’s Meow, 2021, 18 dancers/performer, 115 min
Deathbed, 2022, 11 dancers, 150 min
The Romeo, 2023, 14 dancers, 75 min
Tambourines, 2024, 7 dancers, 80 min
Arena - part of the collection, 2025, 2, dancers, 25 min
A Ghost Ballet - part of the collection, 2025, 4 dancers, 35 min
The Powder Rooms - part of the collection, 2025, 5 dancers, 15 min (in loops)
Education in Tambourines or the Celebration of the Girl Child - part of the collection, 2025, 6 dancers, 50 min
Five Friends in Five Acts - part of the collection, 2025, 3 dancers, 30 min
Booking contact – Björn Pätz - Management, International Relations & Touring
bjoernpae@googlemail.com
Staging, choreography, set design, costume design, soundtrack Trajal Harrell
With New Kyd, Perle Palombe, Trajal Harrell, Songhay Toldon, Vânia Doutel Vaz, Ondrej Vidlar
Alternate dancers Alicia Aumüller, Frances Chiaverini
Rehearsal directors Stephen Thompson, Vânia Doutel Vaz
Lighting Sylvain Rausa
Sound design Trajal Harrell, Santiago Latorre
Rehearsal directors Stephen Thompson, Vânia Doutel Vaz
Dramaturgy Katinka Deecke
Technical team Susanne Affolter, Liv Senn, Pablo Weber
Tour Management Cynthia Naef
Management, Touring & International relations Björn Pätz
Production Schauspielhaus Zürich
Co-production Festival d’Automne, Les Spectacles Vivants – Centre Pompidou
Support Müller-Möhl Foundation & Trajal Harrell, Zürich Dance Ensemble Fan Club
Vidmarhallen – Vidmar 1
Könizstrasse 111, 3008 Bern
Google Maps
ZOO / Thomas Hauert
Tiran Willemse